"…in honor of Canabalt's first birthday (back on September 1st), why not write a guided tour of how everything works instead?" Lots of good tidbits on here; the stuff on hitboxes is particularly well observed and explained.
This is all great.
I walked 4.5km down the A10, stopping every 200m or so to ask 10 unsuspecting passers by … "Excuse me, what area is this?" This is what I was told.
"We’ve just launched a project in collaboration with biochemist/photographer, Linden Gledhill for Canon’s PIXMA colour printer range. The project features surreal ‘sound sculptures’ made of dancing droplets of paint captured in extreme detail as they react to sound waves." Just beautiful.
Speeds not naturally found very often this side of celestial interaction
30 September 2010
I don’t think we’ll ever notice the age of cyborgs, because we do these things one at a time. We roll them out in small ways, and increment them across society. We quietly piece together a know-everything machine, make its connections invisible, then put it in a small box we built as a talk-to-anyone-machine, and carry it around with us. (The first and ultimate prosthetic of the species being community, and so our most powerful magics will always be incantations to one another.) We hand out drugs to everyone that make them more ready for capitalism as a warm, tasty beverage. While we talk about powersuits and armies of robots, we get into metal boxes next to explosion chambers and extend our proprioception to their edges. We do this so that we can then hurtle down ribbons of death we’ve built all around the landscape at speeds not naturally found very often this side of celestial interaction. We call this commuting and consider it one of the most boring things humans do.
Matt is right. Quinn’s contribution to 50cyborgs is wonderful; thoughtful and provocative and brimful of good stuff. You should go read it right away.