"However, the most important factor for me at this point is that I have heard “Tom’s Diner” so many times that *I no longer hear it*. Like frog vision, I no longer notice what remains the same, only what has changed. I don’t hear the song anymore, just the different ways that my DSP algorithms respond to it."

"Here’s an important and (as far as I can yet tell) unaddressed question for Mare of Easttown criticism: when, exactly, did Mare Sheehan stop dying her hair blond?

This question may seem trivial compared to more pressing Mare of Easttown questions, such as “was that ending good?” and “is this copaganda?” However, don’t worry: all these are the same question."

Cracking writing about a cracking show, on the role of "femininity" in both the casting of drama and the plot of _Mare of Easttown_. The kind of essay that opens new doors without clsoing or criticising others.

Github experimenting with a formalised approach for using Actions/repositories as datastores. Interesting to see their end-to-end approach, including, in particular, custom VS Code plugins for generating configurations; it's a neat and accessible way to build end-user UI.

A remarkable book – and resource – from Chris Brejon. All on lighting for CG animation, but as usual with this sort of reference, so much to say about cinematic lighting fullstop.

A deeply personal obit that will likely be lost to the sands of Facebook, but hey.

Via Phil G, a nice modern boilerplate for HTML pages – notable because of the excellently narrated explanation around it. Always useful to have something like this to refer back to.

Marvellous writing on one of Infocom's most notably experimental works, and its relationships to the present.

"With static sites, we've come full circle, like exhausted poets who have travelled the world trying every form of poetry and realizing that the haiku is enough to see most of us through our tragedies." A line that particularly resonates in this lovely Craig Mod article on the solace of programming for yourself.

Electron-based displacement map generator.

Informative and fun new work from Stamen (along with a shout-out to How Big Really).

"It costs us something to be the beginner. Our minds opt for intellectual ejector seats, taking us away from new ideas. But “I hadn’t thought of that before” is actually the experience of joy trying to reach us." Sara Hendren on expressing discovery as pleasure rather than threat.

"One of the biggest challenges for code based artists is figuring out how to interface with traditional workflows. How can we export images, videos at resolutions and formats that work. In addition, we are building tools as we build our art. This is both a gift and a curse. It’s a gift in that we can often do things that are hard or impossible with traditional tools, but also a curse in that the tool building part of our work can be really time consuming. Imagine if every time you went to cook a meal you also had to construct the pots and pans for cooking."

Zach Lieberman on recent work on editorial imagery, built in code.

This was great on lots of levels: good writing, sharp on the problems of the MCU (and That Show), and excellent on Kubler-Ross. Sure, you're meant to nod along, but I still had nice new thoughts along the way.

"The solo would still sound great if he played it with stiffer sixteenth notes, in a pop rather than funk style. And the groove would work fine if the drum machine had a little more swing to it. But keeping the guitar swing in tension with the straight drum groove is real Jedi-master musicianship. Right before the solo starts, Prince sings, “Ahhh, think I wanna dance,” and that is exactly what it sounds like his fingers are doing." One of many highlights from a huge deep dive on yet another Prince guitar part that sounds like, you know, just a thing, but is a producer and player at the top of their game. Fitting that tiny thing into such a sparse track! Every time I listen to Prince, I wish I knew even more Prince, and when I'm reminded I know a lot of Prince, I wish I knew it _better_.